After many attempts in the field of experimental films which date back to 1942 and Jørgen Roos' co-operation with Albert Mertz - FLUGTEN (Escape) and other films - he started his co-operation with the painter Wilhelm Freddie in 1949. Together they made two surrealistic films in the style of Dali or Bunuel, DET DEFINITIVE AFSLAG PÅ ANMODNINGEN OM ET KYS (The Definitive Refusal on the Desire of a Kiss), 1949 and SPISTE HORISONTER (Eaten Horizons), 1950. In SPISTE HORISONTER two men, using the backside of a nude woman as their table, eat a lot of bread, then cut a hole in the woman's body and eat her insides.
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