Elisa's husband is paralyzed after a traffic accident. She takes care of him at home, but it is a challenge to nurse a brain-damaged, paralyzed man. Elisa's in-laws doesn't think she can cope with the situation on her own. They want to put their son in a nursing home. Elisa disagrees, and as her life slowly falls apart, she refuses to acknowledge that she has lost her husband and the love of her life.
| Original title | Hvor lyset kommer ind |
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| Danish title | Hvor lyset kommer ind |
| Keywords | Brain damaged, Relationship, Love, Changes |
| Director | Kræsten Kusk |
| Screenplay | Kræsten Kusk, Mads Matthiesen |
| Producer | Jesper Morthorst |
| Director of Photography | Magnus Nordenhof Jønck |
| Editor | Andri Steinn Gudjonsson |
| Sound | Peter Albrechtsen |
| Composer | Morten Svenstrup |
| Production designer | Jette Lehmann |
| Casting | Gro Metha Therp |
| Appearance | Signe Egholm Olsen, Mads Riisom, Lars Simonsen, Jens Jørn Spottag |
| Production country | Denmark |
| Danish rating | Not recommended for children under 7 |
Companies |
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| Production company | SF Film Production ApS |
| With support from | New Danish Screen |
| In collaboration with | Beofilm |
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Direction |
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| Direction | Kræsten Kusk |
| Casting | Gro Metha Therp |
| Continuity | Michael Thune Andersen |
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Script |
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| Screenplay | Kræsten Kusk |
| Screenplay | Mads Matthiesen |
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Production |
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| Producer | Jesper Morthorst |
| Executive producer | Karoline Leth |
| Executive producer | Michael Fleischer |
| Line producer | Karin Trolle |
| Unit manager | Bjørn Kopp |
| Production coordinator | Melek Çağlar |
| Production assistant | Sofie Kløvborg |
| Production assistant | Katja Vermehren |
| Runner | Jonas Valsted Rasmussen |
| Post-producton coordinator | Lise Orheim Stender |
| Post Producer | Signe Baasch |
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Cinematography |
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| Director of Photography | Magnus Nordenhof Jønck |
| First assistant camera | Linda Laage S. Olsen |
| First assistant camera | Ivan Molina Carmona |
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Electrical dept. |
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| Gaffer | Sune Lolk |
| Best boy | Tue Bengtsson |
| Best boy | Peter Junker Sørensen |
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Editing |
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| Chief editor | Andri Steinn Gudjonsson |
| Assistant editor | Line Gellert |
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Music |
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| Composer | Morten Svenstrup |
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Production design |
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| Production designer | Jette Lehmann |
| Property master | Arvid Berg-Ørnbak |
| Assistant production designer | Rikke Tvilum |
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Wardrobe |
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| Costumes: pre-production | Margrethe Rasmussen |
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Makeup |
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| Hair and makeup designer | Bjørg Serup |
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Sound |
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| Sound designer | Peter Albrechtsen |
| Sound recordist | Morten Green |
| B-sound designer | Rune Palving |
| Sound assistant | Mikkel Nielsen |
| Foley artist | Martin Langenbach |
| Foley recordist | Christoph Wieczorek |
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Visual effects |
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| Digital intermediate | Kasper Folman |
| Colourist | Sandra Klass |
| Online mastering | Adalsteinn Hallgrimsson |
| Graphic design | Sarah Trebbien |
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Other credits |
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| Consultant | Carsten Alstrup |
| Consultant | Katrine Jørgensen |
| Consultant | Lars Peter Kammersgaard |
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Appearance |
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| Appearance | Signe Egholm Olsen |
| Appearance | Mads Riisom |
| Appearance | Lars Simonsen |
| Appearance | Jens Jørn Spottag |
| Appearance | Marianne Mortensen |
| Appearance | Kirsten Olesen |
| Appearance | Susanne Juhasz |
| Appearance | Rasmus Haxen |
| Appearance | Hanne Hedelund |
| Appearance | Julie Carlsen |
| Appearance | Charlotte Guldberg |
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Watch the film
